![]() I was an everyman and I was the person who could have been running a food stand or a bodega or an auto mechanic shop or any business. “So then you don't ever get an opportunity, which we never should, to go, ‘I know exactly who that guy is as soon as I look.’ So contrary to that, I wanted to make sure that I was an everyday-er. And a couple of weeks later, you're watching the news, and you go, ‘That's the guy who I was just having the. Then you get on the train, and you go home. ![]() “You have just a regular conversation with the guy at a bar. And how about you?’ ‘Well, your family- oh, that's a beautiful- oh, you're married with children.’ It's kind of an international business, and I work with people, and my family's important to me. ![]() And when you're sitting, you have a conversation with a guy, and he tells you what he does, and he says, ‘Oh, I have my own business. You're at the local bar having a beer before the train comes. “You're at Penn Station waiting for the train to go home. ![]() (Photo by Mike Coppola/Getty Images) Getty Images NEW YORK, NEW YORK - APRIL 21: Bruno Bichir and Felix Solis attend the Netflix's "Ozark" Season 4. “Meaning, I was hoping - as the character continued to develop and as I was asked to come back and do more episodes and continue and so on and so forth - I was hoping to try and develop a person that would have this kind of scenario. I completely removed any judgement of who I thought this person might be and instead said to myself, ‘Who is this person to other people?’ “Well, the first, immediate bullet to the head of an actor is to make a judgement on the character they're playing,” Solis said. Once Felix had his reference point for Omar, it was easy for him to jump into the character without evaluating his unfathomable crimes and both the looming danger he presented to people like the Byrdes and faced himself, from his enemies. So how do we then play it to the most interesting level, how do we play it to the most unexpected level?” No matter how you play the scene, the scene still ends with somebody getting shot. “So to add to it or feel like you have to contribute something to it is, for me, unnecessary because it's already there. (Photo by Michael Tullberg/Getty Images) Getty Images annual Dynamic and Diverse Celebration at Saban Media Center on Septemin North Hollywood, California. NORTH HOLLYWOOD, CA - SEPTEMBER 12: Felix Solis attends the Television Academy and SAG-AFTRA's 5th. which is if on the page, someone gets shot in the head, I can't do anything about that. “I knew that I could call upon my own life experience for certain moments in the script. So I don't necessarily need to look for those. I've had to just because of my life and who I am. I've had to be around people who're insisting and scary and dangerous. I do know what it's like to have people look up to you and look for answers when there's a problem going on. ![]() That's not to say that I went out and I started dealing drugs, but I do know what it's like to run a business. “And also, too, sometimes, I'm a reference type actor, where I believe that you really don't have a true opportunity to do a scene or a moment to the best of its ability if you don't have some kind of a reference. Want up-to-the-minute entertainment news and features? Just hit 'Like' on our Digital Spy Facebook page and 'Follow' on our Instagram and Twitter accounts. Like Breaking Bad, a series which has heavily influenced the Netflix show, it understands the power of patience, knowing when to hold back and when to advance.īut with two more seasons potentially on the cards, according to showrunner Chris Mundy, Ozark was too eager to lift the curtain on Navarro.ĭigital Spy now has a newsletter – sign up to get it sent straight to your inbox. One of Ozark's greatest assets is the mounting tension that has steadily ramped up over the course of its three seasons. Their growing influence warranted an audience with the puppet master himself.īut it should have held back, biding its time until the point of no return. Marty and Wendy had ascended the ranks, proving themselves indispensable to the crime boss, whereas others, such as Helen (Janet McTeer), had fallen short of expectations. The series had to introduce him eventually, of course. The power of the unseen is one of the greatest weapons in any horror film, and Navarro also benefited from that distance. The mythology of Pennywise is more terrifying than the dancing clown we're presented with, and the more we're exposed to him the less horrifying he becomes. It's a similar situation in It Chapter One. ![]()
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